Office Ofis
Installation with copiers, papers, soil, greenhouse light, office plants, AI imagery, and office worker. The work considers offices as generic spaces, copying machines resembling a decaying capitalism, and AI-generated images of plants and photocopies as chronicles of the current reproduction stage.
Complexity is treated as a social phenomenon related to cybernetics, systems theory, and art history; as copy tracing constellations in need of critical revision. Similarities between biological replication and self-replication of cultural spaces as forms inhabit the intention of the biennial, which seems rather spread, cautious, expectant.